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    <title>Into The Ecto @ EltonPruitt.com</title>
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    <description>The time is here. &amp;nbsp;The place is now.</description>
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    <copyright>Elton Pruitt</copyright>
    <lastBuildDate>Thu, 08 Jan 2009 05:46:45 GMT</lastBuildDate>
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      <dc:creator>epruitt@aristotle.net (Elton Pruitt)</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">A couple of fellow comic book creators
   (writer/editor <a href="http://www.jasonrodriguez.com/2009/01/2009.html">Jason Rodriguez</a> and
   artist <a href="http://jasoncopland.com/2009/01/confidence-man.html">Jason Copland</a>)
   recently posted their New Year's Resolutions online, and their commitment and outright
   ballsiness in doing so inspired me to do the same.<br /><br />
   So, here goes:<br /><br /><div align="center"><b>Elton Pruitt's Resolutions for 2009</b><br /></div><br /><b>1. Write Sunday through Thursday, every night, for at least 2 hours. </b><br /><br />
   Last year, I got a little burnt out on burning the midnight oil, and pulled back on
   the time I spent writing for the sake of my sanity (and sleep). But what that led
   to was a really lameass work ethic. My wife and I have a 3.5 year old son, so the
   heart of any evening revolves around him. Although her job is incredibly stressful
   and requires her to work a lot in the evenings, she goes out of her way to give me
   one Writing Night every week. On those nights, I get to go straight from the day job
   to the local brewpub, where I write for several hours. 
   <br /><br />
   Last year, I wound up in a bad habit of relying only on those nights to get anything
   done. 
   <br /><br />
   This year, it's gonna be a different story. I'll still have that weekly Writing Night
   as an ace in the hole. But it'll be supplemented by four other nights -- a minimum
   of 8 solid hours -- and in taking this disciplined approach, I'm going to dramatically
   increase my productivity.<br /><br /><b>2. Take it in stride when life gets in the way of writing.</b><br /><br />
   Last year, I tended to get all out of sorts if anything interfered with that sacred
   Writing Night. This year, now that I've got so many more hours each week dedicated
   to writing, I'm determined to not let life's little unplanned events get me bent out
   of shape. 
   <br /><br />
   Just last night, some work stuff wound up eating into my scheduled 9:00 - 11:00 writing
   time. I felt myself starting to tense up and feel frustrated and annoyed. But I caught
   myself, and managed to relax, and instead of a wasted evening -- which is what would've
   happened last year -- I wound up starting my writing at 9:30 and getting a lot of
   good work in in spite of the late start.<br /><br /><b>3. Don't over commit.</b><br /><br />
   I've always been bad about over committing myself. There are so many stories I want
   to tell, and so many artists I want to work with. But I'm just not the kind of guy
   who can juggle a bunch of different projects at the same time and be productive. 
   <br /><br />
   So, this year, I've got a plan for the next few months, and I'm sticking to it. And
   it goes something like this:<br /><br />
   FUGUE<br /><br />
   PORNTASIA<br /><br />
   RIVETED<br /><br />
   And when those three pitches are out the door and onto the appropriate editors' desks,
   I'll turn my attention to something I've thought and talked about doing for well over
   a year now: Zuda. 
   <br /><br />
   There's a wonderful artist I've been talking to for a couple of years now who's interested
   in working up something with me for Zuda, so by golly, I'm going to buckle down and
   get the creative fires burning and Just Do It!<br /><br />
   But only after I finish what's already on my plate. No more over committing!<br /><br /><b>That's all, folks!</b><br /><br />
   Short, sweet, and 100% doable: that's how I'm rolling this year with my resolutions,
   and in the totality of my commitment to writing comics.<br /><br />
   What about you?<br /><img width="0" height="0" src="http://eltonpruitt.com/blog/aggbug.ashx?id=ec374571-46f2-4601-86fd-a695efdeeccb" /></body>
      <title>My Resolutions for 2009</title>
      <guid>http://eltonpruitt.com/blog/PermaLink,guid,ec374571-46f2-4601-86fd-a695efdeeccb.aspx</guid>
      <link>http://eltonpruitt.com/blog/2009/01/08/MyResolutionsFor2009.aspx</link>
      <pubDate>Thu, 08 Jan 2009 05:46:45 GMT</pubDate>
      <description>A couple of fellow comic book creators (writer/editor &lt;a href="http://www.jasonrodriguez.com/2009/01/2009.html"&gt;Jason
Rodriguez&lt;/a&gt; and artist &lt;a href="http://jasoncopland.com/2009/01/confidence-man.html"&gt;Jason
Copland&lt;/a&gt;) recently posted their New Year's Resolutions online, and their commitment
and outright ballsiness in doing so inspired me to do the same.&lt;br&gt;
&lt;br&gt;
So, here goes:&lt;br&gt;
&lt;br&gt;
&lt;div align="center"&gt;&lt;b&gt;Elton Pruitt's Resolutions for 2009&lt;/b&gt;
   &lt;br&gt;
&lt;/div&gt;
&lt;br&gt;
&lt;b&gt;1. Write Sunday through Thursday, every night, for at least 2 hours. &lt;/b&gt;
&lt;br&gt;
&lt;br&gt;
Last year, I got a little burnt out on burning the midnight oil, and pulled back on
the time I spent writing for the sake of my sanity (and sleep). But what that led
to was a really lameass work ethic. My wife and I have a 3.5 year old son, so the
heart of any evening revolves around him. Although her job is incredibly stressful
and requires her to work a lot in the evenings, she goes out of her way to give me
one Writing Night every week. On those nights, I get to go straight from the day job
to the local brewpub, where I write for several hours. 
&lt;br&gt;
&lt;br&gt;
Last year, I wound up in a bad habit of relying only on those nights to get anything
done. 
&lt;br&gt;
&lt;br&gt;
This year, it's gonna be a different story. I'll still have that weekly Writing Night
as an ace in the hole. But it'll be supplemented by four other nights -- a minimum
of 8 solid hours -- and in taking this disciplined approach, I'm going to dramatically
increase my productivity.&lt;br&gt;
&lt;br&gt;
&lt;b&gt;2. Take it in stride when life gets in the way of writing.&lt;/b&gt;
&lt;br&gt;
&lt;br&gt;
Last year, I tended to get all out of sorts if anything interfered with that sacred
Writing Night. This year, now that I've got so many more hours each week dedicated
to writing, I'm determined to not let life's little unplanned events get me bent out
of shape. 
&lt;br&gt;
&lt;br&gt;
Just last night, some work stuff wound up eating into my scheduled 9:00 - 11:00 writing
time. I felt myself starting to tense up and feel frustrated and annoyed. But I caught
myself, and managed to relax, and instead of a wasted evening -- which is what would've
happened last year -- I wound up starting my writing at 9:30 and getting a lot of
good work in in spite of the late start.&lt;br&gt;
&lt;br&gt;
&lt;b&gt;3. Don't over commit.&lt;/b&gt;
&lt;br&gt;
&lt;br&gt;
I've always been bad about over committing myself. There are so many stories I want
to tell, and so many artists I want to work with. But I'm just not the kind of guy
who can juggle a bunch of different projects at the same time and be productive. 
&lt;br&gt;
&lt;br&gt;
So, this year, I've got a plan for the next few months, and I'm sticking to it. And
it goes something like this:&lt;br&gt;
&lt;br&gt;
FUGUE&lt;br&gt;
&lt;br&gt;
PORNTASIA&lt;br&gt;
&lt;br&gt;
RIVETED&lt;br&gt;
&lt;br&gt;
And when those three pitches are out the door and onto the appropriate editors' desks,
I'll turn my attention to something I've thought and talked about doing for well over
a year now: Zuda. 
&lt;br&gt;
&lt;br&gt;
There's a wonderful artist I've been talking to for a couple of years now who's interested
in working up something with me for Zuda, so by golly, I'm going to buckle down and
get the creative fires burning and Just Do It!&lt;br&gt;
&lt;br&gt;
But only after I finish what's already on my plate. No more over committing!&lt;br&gt;
&lt;br&gt;
&lt;b&gt;That's all, folks!&lt;/b&gt;
&lt;br&gt;
&lt;br&gt;
Short, sweet, and 100% doable: that's how I'm rolling this year with my resolutions,
and in the totality of my commitment to writing comics.&lt;br&gt;
&lt;br&gt;
What about you?&lt;br&gt;
&lt;img width="0" height="0" src="http://eltonpruitt.com/blog/aggbug.ashx?id=ec374571-46f2-4601-86fd-a695efdeeccb" /&gt;</description>
      <category>Deep Thoughts;What's Going On</category>
    </item>
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      <dc:creator>epruitt@aristotle.net (Elton Pruitt)</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">So I'm hanging with my 2.5 year old son,
   Jackson, the other night, and I'm wearing my Beavis and Butthead Do America t-shirt.
   And he points at the huge Butthead on the left and asks me, "What that?" 
   <br /><br />
   "Butthead," I reply.<br /><br />
   Then he points to the huge Beavis on the right and asks, "What that?"<br /><br />
   "Beavis."<br /><br />
   Then, for the next two minutes, back and forth, over and over:<br /><br />
   "What that?"<br /><br />
   "Butthead."<br /><br />
   "What that?"<br /><br />
   "Beavis."<br /><br />
   And all the while, I'm thinking two concurrent thoughts: (1), how cool it is to be
   teaching my son to identify Beavis and Butthead, and (2) how very strange and un-fatherlike
   of me it is to be teaching my son to identify Beavis and Butthead. 
   <br /><br />
   * * *<br /><br />
   Continuing on with the "things that toddlers probably shouldn't be exposed to" front,
   I've been on a real Avenged Sevenfold kick lately. The incendiary guitar, locomotive
   drums and soaring harmonies on songs like "Beast and the Harlot" are like a defibrillator
   for my soul, shocking away 20+ years of growing up and leaving me feeling like I'm
   17 years old all over again.<br /><br />
   Which is great and all, but not so much what I want to play when driving my son somewhere.
   So, on our way out this evening, I grabbed what I thought was one of his favorite
   CDs, aptly titled Children's Favorite Songs. But when I got in the car and ejected
   Avenged Sevenfold's City of Evil disc and tried to play it, I discovered it was actually
   the <i>DVD </i>of Children's Favorite Songs, not the <i>CD</i>, and thus would not
   play.<br /><br />
   For a second or two, I toyed with the notion of popping Avenged Sevenfold back in.
   But it just didn't seem right. So I flipped through the other CDs in the car and what
   to my wondering eyes should appear but Johnny Mathis's 1958 classic, Merry Christmas. 
   <br /><br />
   I think Jackson's early exposure to one of the greatest Christmas albums of all time,
   as we drove to and from the Little Gym this evening, just might counterbalance the
   Beavis and Butthead. 
   <br /><p></p><img width="0" height="0" src="http://eltonpruitt.com/blog/aggbug.ashx?id=51602b5d-bea6-41ac-ad7e-3b147c293454" /></body>
      <title>Beavis and Butthead, Avenged Sevenfold, Johnny Mathis &amp; My Son</title>
      <guid>http://eltonpruitt.com/blog/PermaLink,guid,51602b5d-bea6-41ac-ad7e-3b147c293454.aspx</guid>
      <link>http://eltonpruitt.com/blog/2007/11/14/BeavisAndButtheadAvengedSevenfoldJohnnyMathisMySon.aspx</link>
      <pubDate>Wed, 14 Nov 2007 03:22:26 GMT</pubDate>
      <description>So I'm hanging with my 2.5 year old son, Jackson, the other night, and I'm wearing my Beavis and Butthead Do America t-shirt. And he points at the huge Butthead on the left and asks me, "What that?" &lt;br&gt;
&lt;br&gt;
"Butthead," I reply.&lt;br&gt;
&lt;br&gt;
Then he points to the huge Beavis on the right and asks, "What that?"&lt;br&gt;
&lt;br&gt;
"Beavis."&lt;br&gt;
&lt;br&gt;
Then, for the next two minutes, back and forth, over and over:&lt;br&gt;
&lt;br&gt;
"What that?"&lt;br&gt;
&lt;br&gt;
"Butthead."&lt;br&gt;
&lt;br&gt;
"What that?"&lt;br&gt;
&lt;br&gt;
"Beavis."&lt;br&gt;
&lt;br&gt;
And all the while, I'm thinking two concurrent thoughts: (1), how cool it is to be
teaching my son to identify Beavis and Butthead, and (2) how very strange and un-fatherlike
of me it is to be teaching my son to identify Beavis and Butthead. 
&lt;br&gt;
&lt;br&gt;
* * *&lt;br&gt;
&lt;br&gt;
Continuing on with the "things that toddlers probably shouldn't be exposed to" front,
I've been on a real Avenged Sevenfold kick lately. The incendiary guitar, locomotive
drums and soaring harmonies on songs like "Beast and the Harlot" are like a defibrillator
for my soul, shocking away 20+ years of growing up and leaving me feeling like I'm
17 years old all over again.&lt;br&gt;
&lt;br&gt;
Which is great and all, but not so much what I want to play when driving my son somewhere.
So, on our way out this evening, I grabbed what I thought was one of his favorite
CDs, aptly titled Children's Favorite Songs. But when I got in the car and ejected
Avenged Sevenfold's City of Evil disc and tried to play it, I discovered it was actually
the &lt;i&gt;DVD &lt;/i&gt;of Children's Favorite Songs, not the &lt;i&gt;CD&lt;/i&gt;, and thus would not
play.&lt;br&gt;
&lt;br&gt;
For a second or two, I toyed with the notion of popping Avenged Sevenfold back in.
But it just didn't seem right. So I flipped through the other CDs in the car and what
to my wondering eyes should appear but Johnny Mathis's 1958 classic, Merry Christmas. 
&lt;br&gt;
&lt;br&gt;
I think Jackson's early exposure to one of the greatest Christmas albums of all time,
as we drove to and from the Little Gym this evening, just might counterbalance the
Beavis and Butthead. 
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://eltonpruitt.com/blog/aggbug.ashx?id=51602b5d-bea6-41ac-ad7e-3b147c293454" /&gt;</description>
      <category>Deep Thoughts;Personal</category>
    </item>
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      <dc:creator>epruitt@aristotle.net (Elton Pruitt)</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p class="blogContent">
          <span class="postbody">I got a lot of grief from the <a href="http://www.eximiouspress.com/postcards/" target="_blank" class="postlink">Postcards</a> crew
      I was hanging with in San Diego for sporting a Cardinals cap night and day. 
      <br /><br />
      What they didn't realize is that, for me, it's a family thing. My dad raised me to
      be a Cards fan and that's how I'm raising my son. 
      <br /><br />
      Here's a pic I'm really proud of -- got my dad his first-ever authentic, on-field
      Cards cap for Father's Day this year. My son, of course, has been outfitted in Cards
      gear since practically the day he was born. He's already on his second cap! 
      <br /><br /><img src="../images/cards-3-generations-600x400.jpg" border="0" /><br /><br />
      There were maybe 3 people the entire con who gave me thumbs up on the cap. One of
      them was this guy, DJ Lance Rock from Nick Jr's upcoming show, Yo Gabba Gabba! 
      <br /><br /><img src="http://myspace-794.vo.llnwd.net/00592/49/75/592935794_l.jpg" border="0" /><br /><br />
      So, that was pretty cool!</span>
        </p>
        <p>
        </p>
        <img width="0" height="0" src="http://eltonpruitt.com/blog/aggbug.ashx?id=0f2e7218-998c-453c-8931-2aac898d21b2" />
      </body>
      <title>It's a family thing</title>
      <guid>http://eltonpruitt.com/blog/PermaLink,guid,0f2e7218-998c-453c-8931-2aac898d21b2.aspx</guid>
      <link>http://eltonpruitt.com/blog/2007/07/31/ItsAFamilyThing.aspx</link>
      <pubDate>Tue, 31 Jul 2007 20:03:06 GMT</pubDate>
      <description>
														
													
														&lt;p class="blogContent"&gt;
   &lt;span class="postbody"&gt;I got a lot of grief from the &lt;a href="http://www.eximiouspress.com/postcards/" target="_blank" class="postlink"&gt;Postcards&lt;/a&gt; crew
   I was hanging with in San Diego for sporting a Cardinals cap night and day. 
   &lt;br&gt;
   &lt;br&gt;
   What they didn't realize is that, for me, it's a family thing. My dad raised me to
   be a Cards fan and that's how I'm raising my son. 
   &lt;br&gt;
   &lt;br&gt;
   Here's a pic I'm really proud of -- got my dad his first-ever authentic, on-field
   Cards cap for Father's Day this year. My son, of course, has been outfitted in Cards
   gear since practically the day he was born. He's already on his second cap! 
   &lt;br&gt;
   &lt;br&gt;
   &lt;img src="../images/cards-3-generations-600x400.jpg" border="0"&gt; 
   &lt;br&gt;
   &lt;br&gt;
   There were maybe 3 people the entire con who gave me thumbs up on the cap. One of
   them was this guy, DJ Lance Rock from Nick Jr's upcoming show, Yo Gabba Gabba! 
   &lt;br&gt;
   &lt;br&gt;
   &lt;img src="http://myspace-794.vo.llnwd.net/00592/49/75/592935794_l.jpg" border="0"&gt; 
   &lt;br&gt;
   &lt;br&gt;
   So, that was pretty cool!&lt;/span&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://eltonpruitt.com/blog/aggbug.ashx?id=0f2e7218-998c-453c-8931-2aac898d21b2" /&gt;</description>
      <category>Bio;Deep Thoughts;Good to Know;Personal</category>
    </item>
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      <dc:creator>epruitt@aristotle.net (Elton Pruitt)</dc:creator>
      <body xmlns="http://www.w3.org/1999/xhtml">So I went to my LCS<sup>1</sup> last week,
   all excited and eager to check out two long-awaited comics: Archenemies #1 and Warren
   Ellis Black Gas #2. 
   <br /><br />
   They weren't there. Oh, it would've been fine if they somehow hadn't been set back
   for me by mistake. I was more than happy to just buy a copy off the shelf. No problem
   there, no sir.<br /><br />
   But they weren't there. And I don't mean, they weren't there because they were all
   sold out. No, what I'm here to tell you is, they weren't there because my LCS <i>didn't
   order a single copy</i> for the shelves. 
   <br /><br />
   Now, I should point out before I go any further, that this is not a diatribe against
   my LCS owner, because he's a great guy and he's got a business to run, and I'm fairly
   certain that if he believed he might sell a few copies of Archenemies or Black Gas,
   he would've ordered them. 
   <br /><br />
   Diatribe, no. Lonely voice crying for help in the wilderness, yes.<br /><br />
   A new book from a major publisher (Dark Horse) gets not a single copy ordered for
   the shelf. That just seems wrong. "But hey," you're probably saying right about now
   -- or possibly, <i>now </i>instead of the first time I said now -- "maybe you live
   in Podunk, Iowa, and it's just too small a market for anything outside of Marvel and
   DC. "<br /><br />
   "There you go again," I would say in response. "I knew Joe Kennedy, and you, sir,
   are no Joe Kennedy." 
   <br /><br />
   And then I'd remember what we were actually talking about and say, "But I live in
   Little Rock, which I refuse to refer to in print as Little Rock, Arkansas, because
   after having eight years of Bill Clinton as President, I think the world should have
   a pretty good idea of where Little Rock is by now."<br /><br />
   And then you'd say, "So? "<br /><br />
   And I'd say, "Please, somebody, anybody -- help me get out of this tangential BS loop
   and back on topic..." And a couple of minutes later, I'd say this:<br /><br />
   The greater Little Rock area has a population probably close to 300,000. So while
   it's not a New York or LA or Chicago, it's not exactly Podunk, either. And yet, of
   all those 300,000 people, evidently not one can be expected to walk into my LCS and
   buy a copy of Archenemies or Black Gas off the shelf. And because they can't be expected
   to, they won't get the chance to, because there won't be any copies on the shelf to
   buy. 
   <br /><br />
   Not ordering any copies of Archenemies doesn't entirely surprise me, because even
   though it is Dark Horse, it is a new title by a relatively unknown creative team.
   But Black Gas? Come on, we're talking <i>Warren Ellis</i> here. That's <i>Mister </i>Ellis
   to you and me. The guy has written more brilliant comic books in the last ten years
   than (pause as I search for a meaningful metaphor and come up empty) some really big
   number. Seriously. Here's the guy who pushes and pulls and prods and pokes to keep
   us just on the edge of our comfort level with what to expect from our monthly funnybooks,
   who invents decompression and then, after it's become de rigeur to write for the 6-issue
   trade, he hits us with Fell, where we get 16-page, complete stories every month. And
   he's got his name in the title of this book: it's not Black Gas, it's Warren Ellis
   Black Gas. 
   <br /><br />
   And a guy who probably knows better than anyone else what will sell in Little Rock
   and what won't, doesn't think he can sell one single copy of Warren Ellis Black Gas
   off the shelf.<br /><br />
   The story in Black Gas is scary. But this little slice of cold reality pie is much,
   much scarier.<br /><br /><div style="font-size: 8pt;"><sup>1</sup>Local Comic Store. At least, I assume that's
      what I'm talking about. But I guess it could also mean Libertarian Communications
      Specialist, in which case all I can say is, run for your lives.<br /><br /></div><img width="0" height="0" src="http://eltonpruitt.com/blog/aggbug.ashx?id=0c2616db-6c47-4335-8206-3444724a3134" /></body>
      <title>The Perils of Pauline (if she were trying to break into comics)</title>
      <guid>http://eltonpruitt.com/blog/PermaLink,guid,0c2616db-6c47-4335-8206-3444724a3134.aspx</guid>
      <link>http://eltonpruitt.com/blog/2006/04/16/ThePerilsOfPaulineIfSheWereTryingToBreakIntoComics.aspx</link>
      <pubDate>Sun, 16 Apr 2006 05:15:21 GMT</pubDate>
      <description>So I went to my LCS&lt;sup&gt;1&lt;/sup&gt; last week, all excited and eager to check out two
long-awaited comics: Archenemies #1 and Warren Ellis Black Gas #2. 
&lt;br&gt;
&lt;br&gt;
They weren't there. Oh, it would've been fine if they somehow hadn't been set back
for me by mistake. I was more than happy to just buy a copy off the shelf. No problem
there, no sir.&lt;br&gt;
&lt;br&gt;
But they weren't there. And I don't mean, they weren't there because they were all
sold out. No, what I'm here to tell you is, they weren't there because my LCS &lt;i&gt;didn't
order a single copy&lt;/i&gt; for the shelves. 
&lt;br&gt;
&lt;br&gt;
Now, I should point out before I go any further, that this is not a diatribe against
my LCS owner, because he's a great guy and he's got a business to run, and I'm fairly
certain that if he believed he might sell a few copies of Archenemies or Black Gas,
he would've ordered them. 
&lt;br&gt;
&lt;br&gt;
Diatribe, no. Lonely voice crying for help in the wilderness, yes.&lt;br&gt;
&lt;br&gt;
A new book from a major publisher (Dark Horse) gets not a single copy ordered for
the shelf. That just seems wrong. "But hey," you're probably saying right about now
-- or possibly, &lt;i&gt;now &lt;/i&gt;instead of the first time I said now -- "maybe you live
in Podunk, Iowa, and it's just too small a market for anything outside of Marvel and
DC. "&lt;br&gt;
&lt;br&gt;
"There you go again," I would say in response. "I knew Joe Kennedy, and you, sir,
are no Joe Kennedy." 
&lt;br&gt;
&lt;br&gt;
And then I'd remember what we were actually talking about and say, "But I live in
Little Rock, which I refuse to refer to in print as Little Rock, Arkansas, because
after having eight years of Bill Clinton as President, I think the world should have
a pretty good idea of where Little Rock is by now."&lt;br&gt;
&lt;br&gt;
And then you'd say, "So? "&lt;br&gt;
&lt;br&gt;
And I'd say, "Please, somebody, anybody -- help me get out of this tangential BS loop
and back on topic..." And a couple of minutes later, I'd say this:&lt;br&gt;
&lt;br&gt;
The greater Little Rock area has a population probably close to 300,000. So while
it's not a New York or LA or Chicago, it's not exactly Podunk, either. And yet, of
all those 300,000 people, evidently not one can be expected to walk into my LCS and
buy a copy of Archenemies or Black Gas off the shelf. And because they can't be expected
to, they won't get the chance to, because there won't be any copies on the shelf to
buy. 
&lt;br&gt;
&lt;br&gt;
Not ordering any copies of Archenemies doesn't entirely surprise me, because even
though it is Dark Horse, it is a new title by a relatively unknown creative team.
But Black Gas? Come on, we're talking &lt;i&gt;Warren Ellis&lt;/i&gt; here. That's &lt;i&gt;Mister &lt;/i&gt;Ellis
to you and me. The guy has written more brilliant comic books in the last ten years
than (pause as I search for a meaningful metaphor and come up empty) some really big
number. Seriously. Here's the guy who pushes and pulls and prods and pokes to keep
us just on the edge of our comfort level with what to expect from our monthly funnybooks,
who invents decompression and then, after it's become de rigeur to write for the 6-issue
trade, he hits us with Fell, where we get 16-page, complete stories every month. And
he's got his name in the title of this book: it's not Black Gas, it's Warren Ellis
Black Gas. 
&lt;br&gt;
&lt;br&gt;
And a guy who probably knows better than anyone else what will sell in Little Rock
and what won't, doesn't think he can sell one single copy of Warren Ellis Black Gas
off the shelf.&lt;br&gt;
&lt;br&gt;
The story in Black Gas is scary. But this little slice of cold reality pie is much,
much scarier.&lt;br&gt;
&lt;br&gt;
&lt;div style="font-size: 8pt;"&gt;&lt;sup&gt;1&lt;/sup&gt;Local Comic Store. At least, I assume that's
   what I'm talking about. But I guess it could also mean Libertarian Communications
   Specialist, in which case all I can say is, run for your lives.&lt;br&gt;
   &lt;br&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://eltonpruitt.com/blog/aggbug.ashx?id=0c2616db-6c47-4335-8206-3444724a3134" /&gt;</description>
      <category>Deep Thoughts</category>
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